Wednesday, April 24, 2013

Gibson's Neuromancer

Check this out. This book is the new. Totally CyberPunked-out.

"The precis began with a long hold on a color still that Case at first assumed was a collage of some kind, a boy's face snipped from another image and glued to a photograph of a paint-scrawled wall. Dark eyes, epicanthic folds obviously the result of surgery, an angry dusting of acne across pale narrow cheeks. The Hosaka released the freeze; the boy moved, flowing with the sinister grace of a mime pretending to be a jungle predator. His body was nearly invisible, an abstract pattern approximating the scribbled brickwork sliding smoothly across his tight one piece. Mimetic polycarbon. Cut to Dr. Virginia Rambali, Sociology, NYU, her name, faculty, and school pulsing across the screen in pink alphanumerics. "Given their penchant for these random acts of surreal violence," someone said, "it may be difficult for our viewers to understand why you continue to insist that this phenomenon isn't a form of terrorism." Dr. Rambali smiled. "There is always a point at which the terrorist ceases to manipulate the media gestalt. A point at which the violence may well escalate, but beyond which the terrorist has become symptomatic of the media gestalt itself. Terrorism as we ordinarily understand it is inately media-related. The Panther Moderns differ from other terrorists precisely in their degree of self-consciousness, in their awareness of the extent to which media divorce the act of terrorism from the original sociopolitical intent...." "Skip it," Case said."

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